8

El último deber

· 100min.

Jack Nicholson en uno de sus mejores papeles por el que recibió la Palma a Mejor Actor en Cannes. Dirigida por Hal Hasby ("Harold y Maude") y escrita por el guionista de "Chinatown".
Disponible a partir del 01 octubre con tu suscripción

Sobre la película

Basada en la novela del autor americano Darryl Ponicsan y dirigida por Hal Hasby ("Harold y Maude"), supuso la confirmación de un nuevo talento de Hollywood, Jack Nicholson, que se alzó con el Premio a Mejor Actor en Cannes y fue nominado al Oscar por tercera vez.. Con un guion firmado por Robert Towne, también autor de "Chinatown", una distinguida road movie que cuestionaba la idealizada vida militar.

Dos oficiales de la marina tienen que escoltar a un marinero hasta la prisión naval de New Hampshire, donde tendrá que cumplir una condena de ocho años por una falta trivial. Durante el viaje, los tres tendrán la oportunidad de conocerse y de compartir experiencias y situaciones que les llevarán a cuestionarse su visión de la vida.

Dirección y reparto

Dirección:
Hal Ashby

Premios y nominaciones

Más información

Título original:
The Last Detail
Géneros:
Clásicos, Drama
Ver ficha:
IMDB

Sin valoraciones

10

"There’s a once-in-a-lifetime feeling to the trio’s every interaction—not only as characters but as performers—that makes the film’s casually tragic climax that much more devastating. "

Keith Uhlich de Time Out

10

"There’s a deep sense of melancholy and finality that runs through The Last Detail even when it’s at its funniest, not just because of Meadows’ fate, but because of Buddusky and Mulhall’s collective guilt for being part of a system that would dole out such a punishment. "

Indiewire de Indiewire

10

"The Last Detail is a salty, bawdy, hilarious and very touching story about two career sailors escorting to a naval prison a dumb boot sentenced for petty thievery. Jack Nicholson is outstanding at the head of a superb cast. "

Variety de Variety

8

"Jack Nicholson's present image, of an elderly actor having comfortably sold out, has a way of ironically investing his authentically legendary run of films, roughly spanning from Easy Rider to The Border, with an even greater emotional urgency than may have initially been intended. It's startling to remember what a heartbroken live wire the actor once was, how often he chose characters that spoke directly to the baby-boomer fear that their various rebellions wouldn't come to much. Every classic Nicholson film follows a strikingly similar trajectory of the outcast who either lives by settling for casual tragedy or dies out of wounded stubbornness. Of all the great actors to emerge from the rich period of American films that kicked off in the late 1960s and unceremoniously concluded in the mid 1970s, Nicholson stood apart as the ideal embodiment of that era's weirdly sexy resignation. "

Chuck Bowen de Slant Magazine