Un prodigio visual y la última gran película de Fellini.30 diciembre 2018 (Editado)
Dirección y reparto
¿Cómo valoras esta película?
Por momentos fascinante pese a sus fellinianos excesos.19 febrero 2016 (Editado)
FASTUOSO. DECADENTE, CLAUSTROFOBICO... OTRA MEMORABLE FLM EN EL QUE EL MAESTRO FELLINI NOS DELIETA CON UN EXCESO DEL MAL GUSTO LEVADO AL EXTREMO. TE AÑORAMOS, FEDERICO...COMO TÚ, NADIE.23 julio 2015 (Editado)
" What the world wanted from Fellini's epic account of the famous 18th-century lover (Donald Sutherland) was hardly the dark, disturbingly jaundiced, alienated view of eroticism offered here (1976). But as one of the late flowerings of the director's claustrophobic studio style at its most deliberately artificial, this is a memorable work, helped along by Nino Rota's music and Danilo Donati's Oscar-winning costumes. With Tina Aumont, Cicely Browne, John Karlsen, Carmen Scarpitta, and Clara Algranti. "
"Imbued with an air of funereal solemnity and elegance, this forsakes realism in favour of a stylised romantic pessimism which confronts impotence, failure, sexuality and exploitation as fully as Pasolini's Salò. Although teetering at times dangerously close to Ken Russell, the visual daring and pure imagination of every image leave it as an elegiac farewell to an era of Italian cinema; and Sutherland's performance is the most astonishing piece of screen acting since Brando's in Last Tango in Paris. "