Chaplin Keystone Collection Vol.3 ver trailer
Añadir a favoritos Quiero verla Ver online 1.95 euros
Vivir hasta el fin

Vivir hasta el fin

Gregg Araki, 1992

7.3
Prensa 3 votos
6.6
Usuarios 33 votos
?
Tu nota
valoración Vivir hasta el fin 0
SD streaming
81 minutos
V.O.S.E.
72h. para verla
información de la película IMDB Sensacine Sinopsis

Luke y Jon son dos jóvenes, guapos y atractivos, que han cambiado su estilo de vida tras descubrir que son seropositivos. Uno de ellos es chapero y el otro crítico de cine y, tras conocerse y enamorarse, se lanzan en un viaje vertiginoso en búsqueda del placer y de la emoción extrema. Su único lema es "que le den al mundo" y en su camino no dudarán en transpasar todas las barreras que se les presentan con tal de poder sentir que han elegido vivir hasta el fin.

Obra iniciadora del movimiento New Queer Cinema.

Actores Mike Dytri , Craig Gilmore
Ficha Técnica
Director: Título original:

Gregg Araki,

The living end

Duración: Género: Año: Distribuidora:
81 minutos Drama 1992 Avalon
Nacionalidad: Calificación: Formato: Estreno en cines:
Estados Unidos NR < 18 años 16mm 29/07/1994
Te la recomendamos para
estado de ánimoolvidar a mi ex-pareja
Temas
premios de la película (1)
  • Festival de Sundance
  • Sección Oficial
sobre el director
  • más info en su ficha completa Gregg
    Gregg Araki
    Estados Unidos, 1959
    Primeras películas En 1987 Araki estrenó su primera película, titulada Three Bewildered People in the Night, en la que narra la historia de un romance entre una video artista, su amante y su amigo... Leer mas
películas similares si quieres explorar más a fondo puedes visitar nuestro catálogo PELÍCULAS CON TEMÁTICA SIMILAR
  • NY Times
    Janet Maslin de NY TimesMr. Araki gets a lot of mileage out of the cultural climate from which Jon, a film critic, has emerged. "You know what they say: those that can't do, teach; and those that can't teach get 25 cents a word to rip other people's work to shreds," he explains when Luke visits his apartment, which is filled with carefully selected movie posters. It's also said that one of the film's characters is so oversensitive he suffered a lengthy depression when Echo and the Bunnymen broke up. The film easily shifts between these sorts of dry asides (many of them shared by Jon and a woman named Darcy, his close friend) and observations of a more solemn kind. "The generation before us had all the fun," says one of the film's handsome, 20-ish heroes. "And we get to pick up the tab." The ragged humor of "The Living End" wears thinner as the characters discuss sex, death and the afterlife, and begin to come face to face with their fate. Mr. Araki, for all his playfulness, fully grasps his heroes' situation, and he does not presume to invent an easy escape. Rudely funny as it is about most things, "The Living End" doesn't trivialize AIDS in any way. What it does instead is give vibrant, angry substance to the phrase "till death do us part." The Living End Written, directed, photographed and edited by Gregg Araki; music by Cole Coonce; produced by Marcus Hu and Jon Gerrans.
    valoración7.5
  • Rolling Stone
    Pete Travers de Rolling StoneHollywood's gutless fear of AIDS movies makes this savagely funny, sexy and grieving cry from the heart of writer, director, cinematographer and editor Gregg Araki even more rending. Jon (Craig Gilmore), an L.A. writer, hits the road with Luke (Mike Dytri), a brutal drifter. They are both fiercely attracted and HIV positive. Araki gives his hypnotic film a raw intensity heightened by a surreal landscape and a jagged score from the likes of Braindead Sound Machine, KMFDM and Coil. Only Jon's calls to his worried friend Darcy (Darcy Marta) remind us of reality. The pair's traveling fuck-fest is marked by humor, rage, desperation and, finally, true romantic longing. In the harrowing, piercingly acted final scene, Luke's violence gives way to understanding. But the anger persists. Araki's fitting dedication embraces "the hundreds of thousands who've died and the hundreds of thousands more who will die because of a big white house full of Republican Fuckheads."
    valoración7.5
  • Washington Post
    Rita Kempley de Washington PostNeedless to say, "The Living End" is not for just everyone, not even lesbians, who are depicted as foul-mouthed, green-eyed man killers (Mary Woronov and Johanna Went). After narrowly escaping death at their hands, Luke, now armed with their gun, runs into a quartet of gay-bashers and shoots them dead. Jon, who is passing the scene, rescues the blood-splattered Luke and takes him home, where they make love but not before Jon tells the other man that he has just learned he's carrying the AIDS virus. "Welcome to the club, partner," whispers Luke in one of the film's few touching human moments. Jon, a conventional sort, is infatuated by the rebellious Luke, a Valley Guy who says "dude" a lot and drinks bourbon from a Ninja Turtles water bottle. When Luke kills a cop off-screen, he persuades Jon to run away with him to the quasi-surrealistic wasteland. They swear, urinate, drink and pleasure one another in various fashions -- none of them exactly explicit. Jon's only contact with the life he left behind is a woman friend (Darcy Marta) whom he phones collect from time to time. The relationship between the leading men begins to disintegrate as Luke becomes increasingly obsessed with suicide. Their lovemaking becomes a reflection of this awful circumstance, just as their conversations become flirtations with death. Luke's anger turns inward finally, and he attempts to destroy himself and debase the only man he ever loved. His rage is understandable; too bad the movie isn't. Crudely made and in your face, "The Living End" is mostly annoying.
    valoración7
RSS del blog noticias sobre la películapublicadas en nuestro blog
sube tu corto si es el mejor será el corto del mes

Elegimos un corto al mes y lo destacamos en esta sección para que lo vean los filmers y profesionales de prestigio que pueden interesarse por tu trabajo.

Corto del mes pasado
Superguay Fernando Villena...
Corto del mes
Anímate y sube tu corto

Dar a conocer el cine que nos gusta, las series que nos apasionan, nuevos talentos, películas inéditas, cortometrajes sorprendentes, ese es nuestro objetivo. Por eso nace filmin. Con el apoyo de las compañías cinematográficas independientes más importantes de España, ofrecemos el mejor cine de calidad, series y clásicos disponibles para ver online a cualquier hora del día, en cualquier lugar del país.

secciones